『每日申報』와 1910년대 전반 근대 이미지
Maeil Sinbo and Modern Images During the First Half of the 1910's
During the modern era, the art of printing became a major tool for mass creation that contributed to the shaping of a standardized daily life and uniform awareness through the mass replication and nationwide circulation of images.In this paper, the types of modern images and their implications are investigated by focusing on the pictures, illustrations, and advertisements that appeared during the first half of the 1910's in the Maeil Sinbo, the only national daily newspaper which described the 1910's well.From the analysis of the images that appeared through the mass media during the early 1910's, it was found that images of the modern period were already widely distributed to the public, and that such images were distributed among the public simultaneously rather than sequentially. Even though the ideology controlled by the Government-General of Joseon was throughly carried out, it was apparent that various images related to such issues as colonialism and enlightenment, militarism and locality, assimilation and sentimentalism, enlightened false consciousness and the commercialization of a sexually hedonistic attitude, were distributed to the public through the news, serialized novels, and advertisements that appeared in the pages of the Maeil Sinbo. When distributed, foreign travel stories were accompanied by the images of war, while articles on local culture and historic sites were printed by superimposed printing of the new images of urban daily life. The strategy devised by the Government-General of Joseon to stabilize the system of colonial rule was an underlying factor in this pattern of distribution. From such considerations, it can be concluded that the ruling ideology and the policy of the Government-General of Joseon during the 1910's were highly complex, and that the internal consciousness of the Joseon people during the first half of that decade cannot easily be described.It seems that this process of colonization was rationalized by this very complexity itself under the name of civilization and enlightenment, and it is considered to be the major characteristic of the colonized Korea. In this sense, this research plays an important role in partially clarifying the obscure images of the 1910's in a more concrete manner.
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