자연 오브제를 통한 표현연구 : 本人作品을 中心으로
Research on expression through natural objet : through personal works
자연오브제 미술표현 미술작품;
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Human being lives forming relation with circumferential environment and has desire to express his feelings obtained from it. The space surrounding human being is a absolute condition for the existence of life and affects the way of the existence. Artist expresses the essentials of things through his own inner world, perceives inner things of autonomous world with his innate reason and imaginative power from the creator's viewpoint and embodies a new territory. Human being who has felt mental poverty and alienation in the modern civilization came to claim reappraisal of the subject and rediscovery of humanity through personal criticism and began to research for philosophical relationship between human being and things. In these processes, fine arts which is on the verge of nihility called illusionism has been trying to overcome those difficult situations by way of the objet. The objet which was marked out as a turning point in the modern fine arts was no longer a new concept but was a generally acknowledged one. Moreover, showing bit by bit different feature according to the times and the trend of the fine arts, the objet was being developed repeatedly with the history of the fine arts, convinced it beared a new artistic meaning and carne to occupy an important position in the modern fine arts. The objet suggested a viewpoint of a new genre which let daily life meet art and gave aid to search for even visible world and invisible world and intuitively approached to the essentials of things. In the works on this research report, the characteristics of modern paintings were grasped by use of planar and natural objet and the base of the preparation of the works was placed on the connection for expansion of image of paintings through these understanding. At first, this report tried to aid general understanding for the objet, by considering the concept of the objet which is theoretical background. In the substantial research, by appling the meaning which circulation process of natural form tries to show and the natural circular meaning to living, color, material and line which are elements of moulding were attempted to be shown on the paintings together with natural objet. Through these research processes, in the preparation of works, researcher obtained the opportunity to set the more concrete logic in position and reappraised the position of himself in the modern fine arts. Accordingly this time became a chance not only to grope for the direction of the preparation of works in future but also to express peculiar visual field by the approach to essence of art and artistic behavior.