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The Research Journal of the Costume Culture = 복식문화연구 v.10 no.3, 2002년, pp.213 - 235   피인용횟수: 2

서양복식에 나타난 Graffiti의 기호에 관한 연구
A Study on the Sign of the Graffiti Depicted in the Western Costumes

이효진   (전북대학교 생활과학대학 생활과학부 의류학전공UU0001120  );
  • 초록

    The purpose of this study was to recognize the meanings of plastic language by analyzing the sign of the Graffiti depicted in western modern costumes. And the scope of this study was focused on analysing the costumes from 1980's when the Graffiti was recognized as one of the plastic arts. Graffiti was an unprofessional and covert desire of self-expression, having a close relation with our lives. It was used in diverse ways with repeating creation, development, and extinction, from expressing liveliness in Old Stone Age through describing symbolic meaning in the modern art. Graffiti means rude, humorous, or political writing and pictures on the walls of buildings. It's different from the delicate letters or pictures to inscript on the tree or rocks. Being introduced as part of Post-modernism in the 1970s, Graffiti was acknowledged as a new artistic action with the culture of hip-hop. In addition the Graffiti, the expression of sign was reflected artist's internal consciousness with boundless sign. The sign is something to transmit message from the nonverbal point of view, the oldest sign was the sign for petition or the expression of something as a primitive form. Sign can be defined as a framework of life inherited as a practice from the primitive age long past. Graffiti was cited as a concrete example of sign, theme of this paper, and general understanding on sign expression was pursued through free work which all artists present with essential and positive ways using signs, their own languages, and life style. The result of this study was summarized as follows: Since the end of the 20th century, a lot of fashion designers have represented symbolic images, such as letter and signs, as purely personal ways of expression through the western costumes. It was found that fashion designers of the Graffiti whose free work style from inherent inner consciousness might provide a basic framework to search for complex signs of modem costumes naturally understood life itself as plastic art, and sublimated human inherent desire and their inner world through their works.


  • 주제어

    그라피티 .   기호 .   포스트모더니즘 .   힙합 문화 .   현대패션.  

  • 이 논문을 인용한 문헌 (2)

    1. Kim, Mi-Hyun 2011. "A Study on Graffiti Expressions of Fashion Illustration" 服飾 = Journal of the Korean Society of Costume, 61(9): 74~83     
    2. Kim, Mi-Hyun 2011. "A Study on Graffiti Expressions of Fashion Illustration" 服飾 = Journal of the Korean Society of Costume, 61(9): 74~83     

 저자의 다른 논문

  • 이효진 (55)

    1. 1996 "20세기 후반 패션에 나타난 미니얼 아트의 조형성에 관한 연구" 服飾 = Journal of the Korean Society of Costume 29 (): 23~38    
    2. 1997 "현대패션 디자인 소재에 표현된 예술적 조형성에 관한 연구" 服飾 = Journal of the Korean Society of Costume 32 (): 163~182    
    3. 1997 "20세지 후반의 현대 패션에 나타난 정크아트(Junk Ark)의 조형성에 관한연구" 服飾 = Journal of the Korean Society of Costume 33 (): 5~25    
    4. 1998 "20세기말 패션 디자인에 나타난 신표현주의적 이미지에 관한 연구" 服飾 = Journal of the Korean Society of Costume 40 (): 5~23    
    5. 1998 "패션 디자인에 나타난 기계미학의 표현 특성에 관한 연구(I)" The Research Journal of the Costume Culture = 복식문화연구 6 (2): 109~126    
    6. 1998 "20세기 후반 패션에 표현된 예술 양식의 기계미 분석 연구(II)" The Research Journal of the Costume Culture = 복식문화연구 6 (3): 126~156    
    7. 1999 "현대 서양복식에 표현된 중세 문장의 상징성에 관한 연구" 服飾 = Journal of the Korean Society of Costume 44 (): 153~167    
    8. 1999 "현대 서양복식에 나타난 TATTOO에 관한 연구" The Research Journal of the Costume Culture = 복식문화연구 7 (4): 52~68    
    9. 1999 "20세기 후반 여성 스포츠웨어의 성(性)적 이미지에 관한 연구" The Research Journal of the Costume Culture = 복식문화연구 7 (6): 98~115    
    10. 2000 "세기말 서양복식에 표현된 Deformation에 관한 연구" 服飾 = Journal of the Korean Society of Costume 50 (3): 13~30    

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