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服飾 = Journal of the Korean Society of Costume v.55 no.1 = no.91, 2005년, pp.13 - 24   피인용횟수: 4

패션에 나타난 팝 아트의 영향
Pop Art-Inspired Fashion

임은혁   (서울대학교 의류학과UU0000691  );
  • 초록

    Throughout the history of fashion and fashion collections, fashion design has been influenced by fine arts. Philosophy and concept of fine arts has been inspiration on the development of fashion design which brings on the close interrelation between fine arts and modern fashion. In order to analyze the affect of fine arts such as Pop art on fashion this study inquires into new perspective that considers different social contexts on the premise that acknowledges the essential difference between the genre of fine arts and design. This study researches the influence of Pop art which has been inspiration on fashion designers since the birth in the 1960s and often appears in recent fashion trends. In view of the results achieved in this study, Pop art-inspired fashion does not concern the aesthetic contemplation of everyday life in western society anonymously as in Pop art but deals with pop art as new ideas in a way that adopts images randomly from designer's convenience which is equivalent to the conception of pastiche. In addition, it was inferred that Peter Pan syndrome exert influence as a mental process and Kidult trend operate on Pop art-inspired fashion as a social phenomenon. On the basis of the theoretical background, the formative features in Pop art-inspired fashion from Spring/Summer 2000 to Spring/Summer 2004 collection has been analyzed. The results fall on the following four categories; those are the use of Pop color which resembles the Hard-edge technique in Pop art, direct appropriation of Pop art such as Andy Warhol and Roy Lichitenstein's works on clothes and accessories, adaptation of Pop art's subject using brand names of mass products or icons in mass culture as design motives, and application of representation method in Pop art such as Andy Warhol's silk screen techniques or Tom Wesselman's composition of pictures.


  • 주제어

    팝 아트 .   혼성모방 .   피터팬 신드롬 .   키덜트.  

  • 참고문헌 (36)

    1. Milla Contini (1977), 5000 years of fashion. Milan: Arnoldo Mondador. p. 112 
    2. Christin J. Mamiya (1992). Pop art and consumer culture. Austin: University of Texas Press. p. 4 
    3. Lucy R. Lippard (1970). Pop art. London: Thames and Hudson, pp. 110-111 
    4. 노버트 린튼 (1994). 20세기의 미술. 서울: 예경. p.327 
    5. 정현숙, 양숙희 (1997). 20세기 후반 패션에 표현된 포스트모더니즘 연구. 한국의류학회지. 21 (3), pp. 503-505 
    6. Kristine Stiles (1996), Theories and documents of contemporary art: A sourcebook of artists' writings, Berkeley: University of California Press, pp. 289-290 
    7. David McCarthy (2000). Pop art. London: Cambridge University Press, pp. 41-42 
    8. David McCarthy (2000). Pop art. London: Cambridge University Press, pp. 6-7 
    9. David McCarthy (2000). Pop art. London: Cambridge University Press, p. 24 
    10. 노버트 린튼 (1994). 20세기의 미술. 서울: 예경. p.384 
    11. Lucy R. Lippard (1970). Pop art. London: Thames and Hudson, pp. 160-161 
    12. Marcia A. Morgana (1996). Coming to terms with Postmodernism: Theories and concepts of contemporary culture and their implication for apparel scholars. Clothing and Textiles Research Journal. 14(1). pp, 44-53 
    13. David McCarthy (2000). Pop art. London: Cambridge University Press, pp. 41-42 
    14. 노버트 린튼 (1994). 20세기의 미술. 서울: 예경. p.323 
    15. 이정후, 양숙희 (1999) 포스트모더니즘 패션에 나타난 불확정성(indeterminacy). 복식, 45(2), pp, 180-183 
    16. Edgar Wind (1998). Warburg's concept of 'kultur-wissenschaft' and its meaning for aesthetics, in The Art of Art History, Donald Prezioni (Ed.). London: Oxford University Press, pp. 209-210 
    17. www.samsungdesign.net 
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    19. 양학미 (1999). 후기 자본주의 사회의 패션에 나타난 혼성모방. 서울대학교 대학원 석사학위논문. p. 18 
    20. Lucy R. Lippard (1970). Pop art. London: Thames and Hudson, p. 113 
    21. Christin J. Mamiya (1992). Pop art and consumer culture. Austin: University of Texas Press. pp. 2-3 
    22. Frederic Jameson (1991). Postmodernism or, the cultural logic of last capitalism. London: New York: Verso, pp. 16-25 
    23. Edgar Wind (1998). Warburg's concept of 'kultur-wissenschaft' and its meaning for aesthetics, in The Art of Art History, Donald Prezioni (Ed.). London: Oxford University Press, pp. 207-209 
    24. Farrelle-Back & Petsch (1984), Colors compared: matisse and picasso with chanel and vionnet. American Home Economics Research Journal. 13 (22), pp, 206-214 
    25. 댄 카일리, 오애경 역 (1984). 피터팬 신드롬. 서울: 학원사,pp. 34-35 
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    27. Christin J. Mamiya (1992). Pop art and consumer culture. Austin: University of Texas Press. p. 5 
    28. 노버트 린튼 (1994). 20세기의 미술. 서울: 예경. p.316 
    29. Lucy R. Lippard (1970). Pop art. London: Thames and Hudson, p. 102 
    30. 노버트 린튼 (1994). 20세기의 미술. 서울: 예경. p.14 
    31. Lucy R. Lippard (1970). Pop art. London: Thames and Hudson, p. 106 
    32. David McCarthy (2000). Pop art. London: Cambridge University Press, p. 52 
    33. David McCarthy (2000). Pop art. London: Cambridge University Press, pp. 75-76 
    34. Marilyn Horn (1981), The second skin, Boston: Houghton Mifflin Company, pp. 333-341 
    35. Lucy R. Lippard (1970). Pop art. London: Thames and Hudson, p. 26 
    36. Lucy R. Lippard (1970). Pop art. London: Thames and Hudson, pp. 159 
  • 이 논문을 인용한 문헌 (4)

    1. Lee, Young-Hee ; Kim, Hyun-Mi ; Jang, Ae-Ran 2011. "The Characteristics of les Nouveau Pop Art Image Fashion" 服飾 = Journal of the Korean Society of Costume, 61(5): 106~122     
    2. Lee, Young-Hee ; Kim, Hyun-Mi ; Jang, Ae-Ran 2011. "The Characteristics of les Nouveau Pop Art Image Fashion" 服飾 = Journal of the Korean Society of Costume, 61(5): 106~122     
    3. Kim, Sun Young 2014. "Expression characteristic of pop art in Jean-Charles de Castelbajac's works" The Research Journal of the Costume Culture = 복식문화연구, 22(5): 688~701     
    4. Song, Jaemin ; Choi, Jongmyoung ; Kim, Jiyoung 2015. "Development of cultural product design based on Chochungdo by Shin Saimdang - Through the color expression of pop art -" The Research Journal of the Costume Culture = 복식문화연구, 23(5): 807~821     

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