은폐성의 정서와 시학 - 김종삼론
The Emotion and Poetics of Suppression on Kim Jong-sam's Poetry
This treatise is the second part of the 3 serial studies on Kim Jong-Sam's poetry after 'A Study on Kim Jong-sam's 3 Short Poems'. These serial studies begin to examine two possibilities with 3 main poems, 〈Let's Walk〉, 〈Seong Ha (The sacred river)〉, 〈Rasanska〉. At first, his poetic emotions can be divided by 3 categories that the 3 poems become strongholds of. At second, the main poetic emotion is sup-pressive emotion that are extremely abstract, distorted to hide true nature of his emotion. The 3 categories of emotions are as below. 〈Let's Walk〉: the symbol of wildness or wandering - wandering the wildness unavoidably. 〈Seong Ha (The sacred river)〉: the symbol of galaxy - gazing at the nubula which consist of obscure memories ( or stars) 〈Rasanska〉: the symbol of Rasanska - fantasizing that the soul reaches Rasanska at last. These emotional categories are expected to be a frame of reference to understand and approach Kim Jong-sam's poetry from now on. These three categories are based on 3 main keywords of the 3 short poems. 3 keywords (the symbol of wildness or wandering, the symbol of galaxy and the symbol of Rasanska) are the symbols(coinages) that Kim created after endless abstract process. It shows well the poet's emotion of life that he could not help feeling in the strange country or south Korea. The 3 categories of symbols stand for as below. The symbol of wildness or wandering: The presence - experiential and realistic emotions in south Korea. The symbol of galaxy: The past - emotions of his childhood in north Korea. The symbol of Rasanska: The future - a refuge in heaven after death The characteristic of poetic emotion on Kim Jong-sam's poetry is the extreme suppression. Because his real emotion in life is too dishonorable or humiliating to disclose. To conceal the emotion, he used the poetics of the abstract, short-length, the fantastic and so on. The abstract functions to distort or transform the real poetic emotion. The short-length is a way of silence to reduce or abridge his emotion. The fantastic replaces his painful and humiliating emotion to sweet and fantastic(beautiful) atmosphere. This second treatise of 3 serial studies focuses on the possibility that the 3 main symbols can be the strongholds of his 3 emotional categories (chapter II) and the characteristics of his representative poetics are the abstract and the fantastic that conceal poet's real emotion (chapter Ⅲ).
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