현대시에 나타난 나비심상의 지수비평적 연구
A Exponential Study on the Butterfly Image in Modern Korean Poetry
This study aims at the meaningful system of butterfly image in modern Korean poetry through the exponential criticism. The meaningful category of butterfly image is divided into the ontological research, the intermediation of transcendence and the representation of reality cognition. The Butterfly imagery of Jeong Ji-yong, Jo Ji-hun, Kim Gi-rim"s poetry heads toward the ontological research, and Hwang Gum-chan, Yun Gon-gang toward the mutability of life. No Cheon-myong, Lee Sang toward to death consciousness. The intermediation of transcendence is visualized into the presentation of free will and existence transcendence. Free will is expressed by the archetypal image of ascension which the butterfly has. Jeong Han-mo"s baby image, Kim Gwan-sik"s butterfly"s dreaming, Choi Seung-gu"s article sublimation are representative examples. Lee Seong-son has a dream about butterfly"s ascension by universal imagination based on the pantheism. The representation of reality cognition is divided into division"s situation and criticism of culture. Butterfly image of Pak Bong-u"s poetry heads toward the inconsistency of division"s situation with the imagery of hedgehog. Jo Hyang and Mun Deog-su visualize the butterfly image as culture"s injury. They find the shadow of culture from the butterfly in war and street.
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