본문 바로가기
HOME> 논문 > 논문 검색상세

논문 상세정보

김수영과 프랑스 문학의 관련양상
Kim Soo-Young and The French Literature

정명교  
  • 초록

    Kim, Soo-Young has been influenced deeply by Occidental Modern Literature. He sought for the essential stage of the Modernity. He didn"t think that Occidental Modern Literature was this stage itself; he believed that it offered to him the exemplary attitude, arriving to it. This attitude can be called "literature of self-betrayal" which Kim Soo- Young took for the imperative of the Modernity. He was taught this attitude by French poets and novelists. i.e. Rimbaud, Camus, Michel Butor, etc. But Kim, Soo-Young had ambivalence about French Literature. Despite the fact that he undoubtedly drew his literary guide from French poets and novelists, he exposed a subtle repugnance against the actual works of French literature. He thought that the Frenchmen were those who could appreciate the beauty. But he judged that the point was not the appreciation or the contemplation of the beauty, but the enforcement of it. He felt that, according to this judgment, French Literature had some distance from the authentic literature. One example is the poetry of Jules Supervielle. Kim Soo-Young was attracted by the theatricality of Supervielle" s poems. However he realized also that the attractiveness of Supervielle was more due to the self-contemplation of this theatricality than the theatricality itself and that, without this contemplation, the poetry would be fallen into the cheap popularity. If it is necessary that the theatrical poetry is accompanied by the self-contemplation, this poetry can"t be in accord with the literature that Kim Soo-Young considered as authentic, because he thought that the authentic literature was not that of contemplation but the literature of enforcement. Therefore Kim Soo-Young quitted Supervielle since around 1961 and decided to return to the "Common-sense" and "Normality", what he had considered as Anglo-saxon. But he did not know how. The solution came when he read and translated "the wisdom of Giacometti" of Carlton Lake at 1966. In this article, he found that Giacometti grappled with same problems and the sculptor discovered his way. It was the hybrid of the common-sense and the strange in manner of the common-sensory expression evoking the invisible extraordinariness. Inspired by the sculptor. Kim Soo-Young applied his method with some detailed changes to his versification that he named "Giacomettian transformation" and he associated allusively with Mallarm?not with Anglo-saxon poetry. The result was, as he asserted, his poem "The Snow." But after this discovery, it does not seem that the theatricality was given u Two years before his death, from 1966 to 1968, is characterized as time of coexistence of two attitudes, i.e. that of theatricality and that of Giacomettian transformation. His prose "Spit, The Poetry!" and his poem "Variation on Love" are very theatrical, while his last poem "The Grass" have come across into the reader"s mind the Giacomettian transformation.


  • 주제어

    김수영 .   프랑스 문학 .   자기배반 .   자코메티 .   모더니티 .   현대 .   혼융 .   연극성 .   수페르비엘 .   말라르메 .   hybride .   Giacometti .   Modernity .   theatricality .   self-betrayal .   KIM Soo-Young .   Supervielle .   Mallarmé.  

 활용도 분석

  • 상세보기

    amChart 영역
  • 원문보기

    amChart 영역

원문보기

무료다운로드
  • 원문이 없습니다.
유료다운로드

유료 다운로드의 경우 해당 사이트의 정책에 따라 신규 회원가입, 로그인, 유료 구매 등이 필요할 수 있습니다. 해당 사이트에서 발생하는 귀하의 모든 정보활동은 NDSL의 서비스 정책과 무관합니다.

원문복사신청을 하시면, 일부 해외 인쇄학술지의 경우 외국학술지지원센터(FRIC)에서
무료 원문복사 서비스를 제공합니다.

NDSL에서는 해당 원문을 복사서비스하고 있습니다. 위의 원문복사신청 또는 장바구니 담기를 통하여 원문복사서비스 이용이 가능합니다.

이 논문과 함께 출판된 논문 + 더보기