윤동주 시의 탈근대성 연구
A Study on a Post-Modernity of Yun Dong-Ju"s Poetry
The purpose of this study is to read Yun-Dong Ju"s poetry through another aspect that his poem"s subjects have taken to a post-modernity. The way to investigate of a post-modernity subject has different from a point of view among politics, philosophy and literature. A point of view of politics takes notice of a boundary between modernity and post-modernity. Philosophy profess to be a spring board to overcome the boundary and make a search for post-modernity subject in modernityworld simultaneously. Literature, the other hand, especially poetry highlight to post-modernity subject who he/she has lived in post-modernity world already. I inquired into Yon-dong ju"s poetry with this post-modernity subject. In an introduction, I prescribed fundamental notion of post-modernity to be overcome modernity that included modernism and post-modernism. The word, "post" implies the reverse and the ultramodern. I focused the changing direction of poetic subject"s gaze that has been evaluated to stare sky or God. By the changing direction the poetic subject wouldn"t stare the world but the poetic subject own self. Then, the poetic subject return to own self. I analyzed the representative works of Yun Dong-Ju, "Preface-poetry", "Confessions", "a self-portrait". The next chapter is named "self-ethics and self- perfection'. The ethics of Yun Dong-Ju"s poems wasn"t composed of relation between self and the other but self and self. On the basis of self-ethics, the poetic subject reach the destination, his/her own self. That is a self perfection. I analyzed "A white shadow", "Another hometown", "The Holy Rood", "A night count star".
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