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시의 지평 형성과 시간성 연구 - 종결 구조와 관련하여
A Study on Forming Horizon and Time Quality in Poetry - Regarding Closure Structure

윤의섭  
  • 초록

    This paper observes characteristics and time quality of horizon in poetry that are formed within the readers when they perceive poetry as an object of experiences and examines the presence of poetry due to its forming horizon. Various definitions on poetry show many signs that poetry can be perceived as an object of experiences. In addition, poetry is a subject that can be experienced by active participation of the readers. Horizon, as the collective world, formed within the readers changes creatively time limit of the readers. Forming horizon by poetry is associated with closure structure of poetry. If poetry had regressive closure structure, it would require the readers to have negotiated perception in forming horizon and time quality would be defined under closed condition. If poetry had extensive closure structure, it would require the readers to have receptive perception in forming horizon and time quality would be defined under open condition. Such horizon is characterized by its ability to extend horizon and memory range of the readers. Not only it changes horizon of the readers, it also shows its ability to form creative time quality. And horizon of poetry makes the readers to form time quality of horizon ranged from the past and the future. Presence of poetry by such horizon formation can be described in three ways: first, poetry is a catalyst to encourage the readers to experience, change and extend horizon; poetry reveals essential, aesthetic values of horizon; and change of horizon within the readers provides an opportunity to transcend the reality. In conclusion, presence of poetry lies in the fact that horizon formed within the readers is more realistic, truthful one.


  • 주제어

    지평 .   지평 형성 .   경험적 대상 .   독자 주체 .   종결 구조 .   시간성 .   존재적 위상 .   Horizon .   forming horizon .   object of experiences .   The Readers .   closure structure .   time quality .   presence.  

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