김수영의 시의식 변모 과정 연구 - '시적 연극성'과 '자코메티적 전환'을 중심으로
A Study on the Turning Points of Kim Soo-young"s Poetics - Focusing on the 'dramatic features in poetry' and 'Alberto Giacomettian transformation'
Kim Soo-young"s poetics has two important turning points. First one can be viewed as abandoning dramatic features in poetry. In his prose, 'Trying to find a new way'(1961), Kim Soo-young confessed that he had been enchanted by dramatic features in poetry like Jules Supervielle"s until then. Then, he made it sure that he would no more write such a dramatic poem. He declared that he would renounce dramatic concreteness and satire. However, despite the attitude appeared in 'Trying to find a new way'. he continued to mix the way of concreteness and abstraction in his poetry. In 1966, there was a great turn in his poetics. Under the influence of Giacometti"s works, he realized that the reality is not obsolete but it is original itself. So, he eventually found that the reality could be recognized through one"s own creative sensitivity. In the poem 「'Noon'(Snow)」, he expressed that kind of vision of reality. After that, he could write a poem little restricted by methodology of concreteness or abstraction. After 'Giacomettian turn, he could express his vision of realty with more creativity and confidence.
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