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The study on mythological imagination through Midang"s poetry

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    There was very long and tough time when to live is difficult Midang had survived from those hard days and regarded "Love" as shelter of "Life". In order to manage his unstable life when to live was harder and more ideologies and independence were imposed on people, stories that consoled him and imagination that supported him are also another mythology to us of these days we live a non-imagination life. As we know mythology is the mirror of mind through Freud, Sigmund"s view, mythology is our common idea, not fantastic things, or the eruption of our desire which reaches the other side of mind. Nowadays various interest on mythology is getting bigger. On top of Greek and Roman mythology, from Korean old mythology to unknown countries" one, the more human beings have got involved in mythology, the farther reality and the truth of life are from our own idea. Then, what the hell is mythology and why people feel more and more interest in old stories? life is tougher and hardness is needed more, the more we want to forget it and have instinct to recall. Owing to this wonderful instinct we can enjoy traveling into unlimited imaginational world in the past. There is another nice one. The world of imagination sometimes leads us to big powerful mystical feeling and truth like historical world. Mythology, through nan"s unlimited imagination, changes into parts of true stories. So to speak, it is another life"s appearance which reflects lacking wisdom by showing man"s basic desire as well as wishful life. Midang"s poems are the universial world full of mythological imagination and the world filled with vigorous life. From the 1st edition 『Hwasajib』 to the 14th edition 『an old vagabond"s poem』, he usual1y use a witticism as a story-telling structure. Especially, 『Chilmajai Shinhwha』"s trait, as he let us know through the title, connects unique things of his story-telling poem with mythological imagination, mixing story and mythology together. 『Chilmajai Shinwha』 is based on transmigration of Buddism and perpetual love is told with a story-telling structure. Say, as he showed us in 『Monologue in flowers" garden』 he showed Saso who is in mythological character in detail, and his imagination returned to the past, However, not like this, he focused on daily life and our own neighbors in 『Chilmajai Shinwha』. As literature can survive if it has universality and permanency, at the same titre g〈XX1 poems must be able to show an imaginational world is unlimited area. Because mythology can skip time and space, unlimited imagination by which even the world of history and truth hidden in the past can be restored to the first place. Therefore mythology is not the thing which hides and distorts history in another sense but the thing which can come back as the story that restore true man"s life. It is possible that mythology deals with ambiguity, forever wishful idea, returning to the past and strong hope including common elements. In the above sense Midang is a poet who pursuited mythological imagination coming from the earth and going to the heaven as the world for something unlimited wishful. Why and what for did he so? We can enjoy returning imagination to the past with mythological contents. This means implication of mythological imagination in modern poetry. It is also an important key of understanding Midang"s as well as new poems. I will focus on Seo Jung-Joo as the right poet for the above and among his great poems, the most excellent mythological poems will be chosen to study it in detail. To Midang, Mythology is not only a wonderful changing story of unique or not normal people but also sometimes a heavy burden story of common neighbor"s grand mother. The reason why Midang"s imagination is..


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