오규원 초기시의 창작 방법과 이미지 연구
A research on creative method and images of Oh Kyu-won"s early poetry
The purpose of this paper is to analyse of ell Kyu-won"s early poetry presumed to have influenced on Korean modernism literature. For this purpose, the poetry of Oh kyu-won are focused on the lately years of 1960"s and the early years of 1970"s. He awakes his concern about "language", but he doesn"t imitate concrete society or world Moreover his poetics that was published in the early years of 1970"s shows that the concern on the distrust of idealism and representative aesthetics are the most important concerns. Therefore the study on his poetry and poetics mist pay attention to the creative method of the idealism and anti-representative aesthetics. His poeics shows that inferred to the absolute language. The pursuit of the absolute lanuage is the pursuit of the world of pure meaning instead of the representative conception. He has a tendency of the modernist essentially. His early poetry show another world. of a false image and semi-abstact world that investigation of the" inside unconsciousness or things to be the chief object, The negative imagination of actual world is the first princple to the modernist and Oh Kyu-Won irreconcilabe to his self, contemporary titre, space and history. The purity of the years of 1960"s modern poetry are equal to an abstract art. According to Maier, pure abstraction or tragic abstration, abstraction is a reacton to the contemporay disaster. Oh Kyu-won"s pure language has a fixed direction forward a kind of a autonomous sign and self-object, This concentrates on "reformation poetics" which oriented to autonomous form "Deformation poetics" is to analyse actual world which has cognizant senstively. In this paper I have intended to probe into the attrbutes of modernity in Oh" s poetry and to prove then closely related with a semi-abstract that poety is a product of autonomous image. What I try to shed new light on here is the modern tendency in Oh"s poetry, as product of his modernity, is basically inclined towords the loss literaure of the world Montage and the amusement of signifiant are attributed to montage paradigm, and the fact Oh" s poetry is based on them proves that his poems begin with modernity, Oh Kyu won concerns to the self- object and images in hispoetics. The imaginaion in Oh"s early poetry has extraordinariness comparable to the contemporary realistic poems. Such poems are "Obvious occurence", "The Trees of west wood", "Experimentation of an pheonomenon", Oh, writing poems from fantasy and intition, stands against the viewpoint that the poetry is a product of concrete mimesis. In his view, a poem is creatd when one dissociates oneself from reality and logic. Oh"s poetry is direted toward the world before the self-referential world. In the end, Oh" s poetry is returning to the concern of modern language, enlightening us to understand the inside world, that is, to realize modernity by way of montage and autonomous image.
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