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정지용 시의 문명 인식
A Recognition of Civilization in Jeong Ji Yong's Poetry

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  • 초록

    The treatise has studied on a recognition of civilization in Jeong Ji Yong's Poetry. Jeong Ji Yong, who lived his life across the modern age and the premodern age has promoted the modernity of our poetry by forming his experience of civilization as his literary work. He was neither a poet who positively praised a modern civilization nor the poet who attempted only to avoid with unreality without faceing up to the difficulty of civilization. He made an effort faithfully to pursue an order of civilization which very radically developed. The returned poet, who widely experienced of modernity through studying abroad in Tokyo made a positive effort to find out a modern civilization. It was a space for a symbolic modern experience in “The Poetry of the Sea” created before and after this time. On the other hand, the treatise was able to find out the recognitive attitude of further complex civilizations by analyzing the poetry like 「The Yusunaesang유선애상」 and the prose like 「The Asphalt아스팔트」. After all, he had to proceed to a transcendental world which represented a religious poetry and a natural poetry to abandon the expectation of a possibility on civilization. He created a religious poetry and a natural poetry in order to gain a mental comfort and to overcome a secularism, abstruseness and danger from a modern civilization adding an extra weight of loneliness and worriment. This was a searching of an alternative idea of a keen anti-civilization against a harm of civilization. After all, the contention in this treatise is that the whole structure of Jeong Ji Yong's poetry which continued into Children's verse, Farm poetry, Sea poetry, Urban poetry, Poetry of Religion, Poetry of Nature includes a process of mental agony to a modern civilization.


  • 주제어

    문명인식 .   현대성 .   근대 문명 .   농촌시 .   바다시 .   도시시 .   종교시 .   자연시.  

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