〈네거리의 순이〉의 영화적 요소에 관한 연구
A Study on Elements of Film in "Soon-Bee in Crossroads"
It has been a main current to debating short epic style in case that they commented on the poems by Im, hwa who was a central force of KAPF. But I don"t think that we can understand his poetic cognition only by applying the frame of short epic poetry when we comment on Im, hwa"s poems including "Soon-bee in crossroads" Poetry conveys images by linguistic sensation. Images transmit imaging cognition coming to mind but not mere decipherment. In Im, hwa"s poems, imaging cognition is not applied to panorama in screen just. Im, hwa gave weight to narration through character of Soon-hee who had already been engraved in the public by screening before. Although, as known well, Im-hwa was much interested in films, commenting on the movie and starred as a hero, the fact is that it was overlooked that he tried to apply his interest to his poems. As we consider ideological category of realism and modernism, it may be inconsistent that it is a kind of modernistic element for him to combine the modern elements of movie with the poems. Realism or modernism is a matter of ideology, so it is not entirely related to technique. In that respect, it was extremely natural that he tried to configurate the thorough displacement of a woman who had absolute maternity, pure chastity of lady in Joseon, and thought, etc. KAPF required literary works keeping both literary culture and propagandism alike, and Im, hwa seemed to infer that the configuration of Soon-bee"s displacement could be formed not by radical and absolute propaganda, but by persuasive methods. Im, hwa who fostered development at literature and movie cannot have missed a sort of character-configurating technique. In this essay, I tried to scrutinize how he employed filming technique in his poem "Soon-hee in crossroads"
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