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권호별목차 / 소장처보기

H : 소장처정보

T : 목차정보

한국시학연구 = Korean poetics studies 12건

  1. [국내논문]   정지용 시론의 수사학적 연구  

    금동철
    한국시학연구 = Korean poetics studies 2001 no.4 = no.4 ,pp. 7 - 29 , 2001 , 1229-1943 ,

    초록

    The purpose of this paper is to understand the lyric origin in the poetics of Jeong Ji-yong. In the most of the study on Jeong Ji-yong"s poetry, the christianity is neglected But, not only in his middle years that he had exposed the catholicism in his poetry but also in his later term that he had published the natural poem the christianity is deeply immanent in his poetry. Moreover his poetics that was published in the later years of 1930"s shows that the concern on the christianity is the most important thing in his view of the world Therefor the study on his poetry and poetics must pay attention to the christianity. His poetics shows that he inferred to the "mental things". "The pursuit of "mental things" in his poetics is the pursuit of the world of meaning instead of the technical skill of the language. He puts the christian virtue that is 〈love〉 〈prey〉 and 〈thanksgiving〉 in the top of the "mental things". It certifies that his view of the world is founded on the christianity. And he mentions that the poem is the incamational coincidence between the mental things and the technical skill of language. In this we can apprehend that his attention to the mental things and his concern to the harmony is the essence of his poetic mind He concerns to the temperance and hammy in his poetics. While he denies the world of material and sensual things, he emphasizes the need of temperance and the hammy of the elements of the poems. Thus his poetics can overcome the power of modernity that deconstructs the lyric poetry.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  2. [국내논문]   포스트모던 시대의 서정시에 대한 고찰  

    김석준
    한국시학연구 = Korean poetics studies 2001 no.4 = no.4 ,pp. 30 - 57 , 2001 , 1229-1943 ,

    초록

    The philosophy of Postmodern age is useless of consciousness. Not summing up and only being full of intellectual and languagistic play, the esoteric consciousness of existence and its original meditation of transcendential horizon disappear from the center of the problem. It means to separate world and human beings further relationship of man and universal, and then awareness of man is not universal truth, but produces the fragmented and framed knowledge. Further more, because Postmodern age petrifies consciousness of human beings and loses Spiritual orientation, the persuit of Lyricalness based on tradition will place the pure relief of this age. Lyric poem which points to more sourceful unified consciousness than goods and human consciousness buried by goods" exhibiting value is paradoxical of the principle of modernity. But it point to human being" basic solidarity and have the critic capacity as to consciousness of Postmodern. The essence of poetry represents original solidarity by recollection. Lyric which expresses human beings" consciousness does not fall into the aporia, but means to relieve from the confusion of soul fallen into the aporia. Though peers which represent this age point to allegorization and impersonallity, the essence of poetry is language of relieving and it symbolizes soul roaming and loitering universal law and the world of phenomena. Lyric which succeeded on the history of literature does not face directly inconsistency of society. It is the language of essence that recollects forgetful, through afformative awareness as to our life itself.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  3. [국내논문]   김수영 시에 나타난 분열된 남성의식  

    김용희
    한국시학연구 = Korean poetics studies 2001 no.4 = no.4 ,pp. 58 - 92 , 2001 , 1229-1943 ,

    초록

    In previous studies, Kim Soo-young had been considered as a precursor of modernist, who adopted the core spirit of modernism. Sometimes he was believed hard to be understood This study will focus an male consciousness revealed in his poems, Although his poems show conflict between self and world, they reveal his self-consciousness as a man, who lived a difficult time. In his poems Kim reveals his male consciousness as a intellectual, who confronted modernity. A stereotype of modern "macho man" is very close to the image of a man who possesses a sense of responsibility and determination, independence and achievement, power and humanity. It is very different from the traditional image of a man which was valued in the pre-industrial society, in which a man was thought to be scholastic. An ideal man in the traditional society should re idealistic and nominalistic, but was actually powerless and interdependent in the real world He evaluated human relations very high and was very social. In this view Kim felt the conflict between the image of "traditional man" and "modern man" and found discontinuity between the two images. Facing modernity, Kim was exposed to the reality of backwardness of Korea, which had been refused to maintain the traditional way of life or normal historical development. Continuity of history and tradition was identified with male consciousness in Kim At this point. Kim experienced historical discontinuity and disorganization of identification. A father was not supposed to be confronted face to face, a wife was a front-runner of new civilization and a quick adopter of the real world. In this respect, "Pul(Grass)," which had been usually interpreted from a viewpoint of people (minjung), needs a new interpretation In "Pul" Kim could not avoid the dichotomy of comparison, describing as "faster than the wind," "ahead of the wind," or "later than the wind" Kim revealed that he was not free from the competitive world by using adverbs and verbs which mean comparison to describe the wind It shows he was in conflict with reality. From the viewpoint that the "laughing" of a man on the grass was not "laughing" of anybody but "faster one," Kim"s poetry was interlocked with the lives of modern men. It reveals disorganization and conflict of modern men and "the process of manly overcome" because "laughing" on the grass is a laugh of revolutionary achievement and also a laugh busted at the end of manly "self-confrontation" "The victory of grass" is clearly different from the value of new creation which attempts universal reconciliation through cycling, prosperity, and expansion.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  4. [국내논문]   여성성의 신화와 직관으로서의 시  

    문혜원
    한국시학연구 = Korean poetics studies 2001 no.4 = no.4 ,pp. 93 - 116 , 2001 , 1229-1943 ,

    초록

    Women are an important subject matter in S대 Jeongju"s poetry. In his well-known poems such as 〈Flower snake〈Hwasa)〉, 〈Broad daylight(Daenat)〉, and 〈Summer of barley(Maekha)〉 women are represented as a sensual and physical being which invokes sexual desire, whereas in 〈Cotton flower(mokhwa)〉, 〈My elder sister"s home(Nunim ui jip)〉, and 〈Beside a chrysanthemum(Gukhwa yeop eseo〉 as a spiritual and eternal being devoid of the flesh. These two contrasted way of imaging women is to mystify women two different ways by putting them in the dichotomy of the sacred and the secular, and the saint and the harlot. The mere use of woman as a subject matter, however, does not suffice for discussing femininity in poetry. What matter are what the poet"s psychological motive in choosing it as a subject matter is, and how it is transformed in poems. Femininity in poetry plays an important part in our probing into a poet"s world view and his or her philosophy of poetry. In this paper I intend to {robe into the attributes of femininity in Seo"s poetry and to prove them closely related with a philosophy that peotry is a product of intuition. What I try to shed new light on here is the heroic character the females in Seo"s peoms have. Seo"s peotry, as product of his intuition, is basically inclined towards the world prior to the rational order. Intuition and sentiment, contrasted with reason and logicality, are attributed to feminine paradigm and the fact Seo"s poetry is based on them proves that his poems begin with femininity. The women in Seo"s poems have extraordinariness comparable to heroic characteristics. Such poetic characters as Queen Seondeok, Saso, Lady Suro are noble ones with mystic power, In 〈Jilmajae myth(Jilmajae sinhwa〉, however, the extraordinary women are transformed into usual everyday people. They use their power for realistic and everyday tasks. Their ability to communicate with the nature makes them unusual, and it is the spacial peculiarity of Jilmajae that gives the women the power. Jilmajae is extraordinary space devoid of the order of reason, and it belongs to the world of intuition and sentiment that Seo"s poems are directed to. Seo, writing poems from intuition, stands against the viewpoint that the poetry is a product of cognition. In his view, a poem is created when one dissociates oneself from (masculine) system and norm and accepts the feminine position of transgression and periphery. It is to follow the irrational physical senses rather than the rational order, and to choose intuition and instinct over logic and analysis, the latter falling in the established masculine paradigm and the former in an emerging feminine one. Since Seo"s poems are written within the feminine paradigm, they inherently have femininity. Seo"s poetry is directed toward the world before the symbolic system Sound aspect of language is more stressed than fixed meaning, and language plays the role of conveying the poet"s feeling and exclamation to the readers. In other words, descriptive(ecriture) aspect is emphasized over nonnative aspect, To follow the grammar of a language means to accept and conform to the established norms. In this light Soe"s poetic language can be said to point relatively to the feminine world It is how the natural rhythm of his poems are acquired. Prosaic poems in 〈Jilnajae myth〉 are intended for feminine writing. Their prosaic style, instead of following the poetic norms like line or stanza, follows the way of warren"s peculiar discourse usually found in chatters, letters or monologues. Seo"s poetic language deserves reconsideration in this regard.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  5. [국내논문]   한국의 자유시와 정형시의 관계  

    민병기
    한국시학연구 = Korean poetics studies 2001 no.4 = no.4 ,pp. 117 - 145 , 2001 , 1229-1943 ,

    초록

    It was found that many poets in Korea wrote free verses in the first half of the 20th century, or that, sometimes, even the contents(meaning) which should be expressed in sijo form was written in free verse. The borderline between sijo and free verse is sometimes blurred among those poetic works, because they can be classified into both sijo and free verse. They were all published as free verses, even though they could be regarded as any genre, sijo or free verse. What is worse, even some perfect sijo style works were published as free verses. In those days many good poets did write more free verses than sijos which follow sijo rules. It became clear that some poets expressed the emotions, in free verse, which should be composed in sijo rhythm and that the poetic works which should be written in sijo form was expressed in free verses. From this fact we carre to definitely know the cause of decline of sijo resulted not from the restrictions for forms but from the fallacy of modernization. Some poets of those days who were influenced by the fallacy of modernization averted sijo and preferred free verse which did not have any traditional roots. If many poets had not been swept away by the fallacy of modernization, and had resisted against the fallacy, made the best use of the merits of sijo, liberalized and modernized them am developed them into the modem sijo, the modem sijo would surely have been the major genre of modern poetry. But unfortunately most poets averted sijo and were absorbed in free verse. Owing to these phenomena, sijo was ebbed away, treated as an extinct past genre and naturally excluded from modem poetry, and so the free verse became the pronoun of modem poetry, In such processes, poems and sijos were divided into two equal genres. It is urgently necessary for the development of poetic literature to amend the discrepancy of such a division If more and more poets would write modern sijos and sometimes free verses, and if the two genres would be unified into ere in the activities of literary circles and in the judges for literary works, it will be very useful to the development of our national poetry, That is the very appropriate method to resurrect the merits of sijo through modem poems, and, accordingly, there can be a new way to resecue the audiences whom poetry did lose.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  6. [국내논문]   오장환 초기 시의 비교문학적 연구  

    박현수
    한국시학연구 = Korean poetics studies 2001 no.4 = no.4 ,pp. 146 - 180 , 2001 , 1229-1943 ,

    초록

    The purpose of this paper is to analyse the relations of Korean poet Oh Jang-whan"s poems and japanese magazine [Poetry and poetics] presumed to have influence on Korean modernism literature. In the early stage, OH Jang-whan attempted to apply short-poem style as French poet Jean Cocteau had shown This aphoristic style is suitable to his witticism and is related to his rejection of sentimental lyric peoms. It has relations with Japanese translated poem books like [A group under moonlight] and magazine [poem and poetics]. In "30s, Oh Jang-whan continually tried out prose poetry and wrote some important works such as [Genealogy(성씨보)], [Castle wall(성벽)] and [Whore(매음부)]. His prose poems were praised by some critics as Kim Ki-rim This genre is stimulated by New prose poetry movement by Kitagawa and magazine [Poem and poetics] in Japan. Also Oh Jang-whan"s long poem [The war] is very important work in the history of Korean literature because it is the only Avant-garde long poem in Korea It has two properties: social criticism and poetics. This problematic poem was successful in expression of his own intentions. This work has some similar expressions with Kitagawa"s poems. But it is important that Oh"s long poem [The war] is not just the imitation of Japanese modemism works. This poem has very important significance in the Korean literary history in that, in the advanced form, it synthesized and accomplished Avant-garde techniques used intermittently by some poets.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  7. [국내논문]   반근대주의적 魂의 詩學에 대한 고찰 - 서정주를 중심으로  

    신범순
    한국시학연구 = Korean poetics studies 2001 no.4 = no.4 ,pp. 181 - 222 , 2001 , 1229-1943 ,

    초록

    The Korean modern poetry was revolutionary changed by the influence of western tendency. But such change was the crisis of identity. In this study I will research into the efforts opposite to the site to the modern trend. That efforts were sincere activity keep inherent property alive. The concept of "HON" is designed fer the spirits that would recover traditionary soul. This efforts have been found in the flows of naturalistic poetry made by Kim, So-Wol and Su, Jung-ju. The poetics Su, Jung-Ju concerned is "PUNG LU"(風流). That is naturalistic and mysterious. He makes a man opened to wide cosmos by that alchemy. This magic acts against the western modernism In this trends our identity will be tested how it endures the loads imposed en by modern society.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  8. [국내논문]   해방 후 북한 시의 양식적 변모에 관한 고찰 - 1945~1950년을 중심으로  

    우대식
    한국시학연구 = Korean poetics studies 2001 no.4 = no.4 ,pp. 223 - 247 , 2001 , 1229-1943 ,

    초록

    We were liberated from Japanese Imperialism on August 15, 1945. We were pleased to be the liberty under the rule of japanese Imperialists, But because we had a liberty the power of the countries we had a great problem after the period of three Kingdoms. That is a reunification of a people, I think many politician who claim to be a prophet had tried to take a political initiative but we didn"t have any political reader who presented their historic visions. I think the reason was great hurts under the rule of Japanese Imperialism. The history of North Korea literature was started to the severe historic trials. After liberty, a lot of poets had written many duty poetry as a part of popular literature on the basis of the 〈Order for the Mobilization for the Ideology of the Country Establishment〉. But other poets had written the lyrics a little. Many people had criticised the lyrics as a formalism but sometimes supported through the controversy of schematization. But the poetry literature as a personal lyrical condensation didn"t become a literary tendency but expressed a personal simple feeling after the Korean War 〈1950~1953〉. Meanwhile, the emphasis of epics was related to the popularization of poetry literature and put a theory of utilitarian literature into practice. The very core of epics was furred by great hero who was named Kim Il-sung as well as ordinary people who had fought desperately for their hero. The forming about Kim Il-Sung as a hero as well as desperate fighting of ordinary people became a good model to the North Korea society. The overwhelming of hero and heroic description decided on a destiny of epics and lyrics. At that titre, the North Korea literary circle got a shock the movement of modernists through 「Ung-Hyang」 (condensed perfumes).「Kwan-Seo collection of Poet」. The term which is 「Ung-Hyang」 group was scorned. Therefore I think they had reacted to the movement of modernists sensitively. A part of poets, for example Kim Jo-Kyu, Yang Myeong-Mun, looked into the modernistic tendency but the Korean War robbed poets of the modernistic tendency.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  9. [국내논문]   미당 시에 나타난 신화적 상상력  

    이명희
    한국시학연구 = Korean poetics studies 2001 no.4 = no.4 ,pp. 248 - 277 , 2001 , 1229-1943 ,

    초록

    There was very long and tough time when to live is difficult Midang had survived from those hard days and regarded "Love" as shelter of "Life". In order to manage his unstable life when to live was harder and more ideologies and independence were imposed on people, stories that consoled him and imagination that supported him are also another mythology to us of these days we live a non-imagination life. As we know mythology is the mirror of mind through Freud, Sigmund"s view, mythology is our common idea, not fantastic things, or the eruption of our desire which reaches the other side of mind. Nowadays various interest on mythology is getting bigger. On top of Greek and Roman mythology, from Korean old mythology to unknown countries" one, the more human beings have got involved in mythology, the farther reality and the truth of life are from our own idea. Then, what the hell is mythology and why people feel more and more interest in old stories? life is tougher and hardness is needed more, the more we want to forget it and have instinct to recall. Owing to this wonderful instinct we can enjoy traveling into unlimited imaginational world in the past. There is another nice one. The world of imagination sometimes leads us to big powerful mystical feeling and truth like historical world. Mythology, through nan"s unlimited imagination, changes into parts of true stories. So to speak, it is another life"s appearance which reflects lacking wisdom by showing man"s basic desire as well as wishful life. Midang"s poems are the universial world full of mythological imagination and the world filled with vigorous life. From the 1st edition 『Hwasajib』 to the 14th edition 『an old vagabond"s poem』, he usual1y use a witticism as a story-telling structure. Especially, 『Chilmajai Shinhwha』"s trait, as he let us know through the title, connects unique things of his story-telling poem with mythological imagination, mixing story and mythology together. 『Chilmajai Shinwha』 is based on transmigration of Buddism and perpetual love is told with a story-telling structure. Say, as he showed us in 『Monologue in flowers" garden』 he showed Saso who is in mythological character in detail, and his imagination returned to the past, However, not like this, he focused on daily life and our own neighbors in 『Chilmajai Shinwha』. As literature can survive if it has universality and permanency, at the same titre g〈XX1 poems must be able to show an imaginational world is unlimited area. Because mythology can skip time and space, unlimited imagination by which even the world of history and truth hidden in the past can be restored to the first place. Therefore mythology is not the thing which hides and distorts history in another sense but the thing which can come back as the story that restore true man"s life. It is possible that mythology deals with ambiguity, forever wishful idea, returning to the past and strong hope including common elements. In the above sense Midang is a poet who pursuited mythological imagination coming from the earth and going to the heaven as the world for something unlimited wishful. Why and what for did he so? We can enjoy returning imagination to the past with mythological contents. This means implication of mythological imagination in modern poetry. It is also an important key of understanding Midang"s as well as new poems. I will focus on Seo Jung-Joo as the right poet for the above and among his great poems, the most excellent mythological poems will be chosen to study it in detail. To Midang, Mythology is not only a wonderful changing story of unique or not normal people but also sometimes a heavy burden story of common neighbor"s grand mother. The reason why Midang"s imagination is..

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

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  10. [국내논문]   현대시에 나타난 제의적 성격 - 황동규의 『풍장』연작을 중심으로  

    이순옥
    한국시학연구 = Korean poetics studies 2001 no.4 = no.4 ,pp. 278 - 300 , 2001 , 1229-1943 ,

    초록

    Whang tries to investigate the issue of life and death, an essential human predicament, by making "Poong-Jang" a poetic material. The serial poem "Poong-Jang" suggests a strong character of memorial rituals in its structure and thinking style. Thus, in this paper I shall illuminate and analyze the unconsciously presented prototype of the ritual elements in the poems, so as to reveal the modern revival of ritualistic meanings. I shall also examine the existential meanings that Whang tries to obtain through his ritualistic poetic grammar. The serial "poong-jang" adopting the Korean traditional burial ceremony as a poetic motive shows those relationships between life and death, humans and the universe that are deeply hidden or implicitly existing in our Korean consciousness. Moreover, Whang"s serial poem illustrates in his modern poetic space the sacrificial, harvesting, and membership rituals that were universally performed in all ancient tribes. All memorial rituals are to be held in the belief that a dead individual will resurrect or reincarnate in "chaotic" eternity of space and titre without being chained any further to "cosmic" world order. Whang"s poems adopting memorial structure for literary symbol, therefore, intend to show the world of eternity through death, rejoicing through the union of opposing others, and resurrection through sacrifice. In the end, Whang"s poetry is returning to the center of existence, enlightening us to realize the worth of existence, that is, to understand eternity by way of limitedness, hammy by way of confrontation, and sacredness by way of secularism.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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