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H : 소장처정보

T : 목차정보

한국시학연구 = Korean poetics studies 12건

  1. [국내논문]   韓國 現代詩의 詩語와 詩意識 硏究  

    류근조
    한국시학연구 = Korean poetics studies 2002 no.6 = no.6 ,pp. 7 - 32 , 2002 , 1229-1943 ,

    초록

    In modern korean poetry Ju Yohan 'Bulnori' is the first poem which overcame the conventional expression consisting of conceptual and purposeful rhetoric. The poem equips itself with poesy or poetic dictions that keep alive the illusion of a fecund and productive modernity. In the contrast of negation and revolt the poem has similitude of Western poetry. In the light of the foregoing if we review 1930's poetry the poets called themselves respectively artists, intellectualists, or vitalists. Even though they were contemporaries they bore different voices and colors with different paradigms. The individual poetic varities of the age coed with the environment of the age. The enlightenment literature like 'Chanka', 'Shin-Che-Si(Nerse)' and postwar literature had common features. What they earned to do in their poetry was to face themselves, their complexities and inconsistencies. Their consciousness and experiences for genuine expression brought poetic modification. The fact is that when it comes to discuss modern poetry, personal factors and the influence of fashion come into operation, and even the poetic dictions of our time, like our judgement of those poetic dictions, reveal a continuously changing perspective. A problem is that poets could not change their conscious experience into poems indefinitely. The process of poetic modification is three phases of the background of the age, the poet's conscious experiences and the selection of poetic dictions Poetic dictions range from the pure music to vulgar words in modern poetry. The poet's relations with society are an important part of the history of poetry. Poets from classical times to the present day have acknowledged a power existing outside time which partakes of the nature of a divinity. One important strand is the struggle of the poet at successive periods to emancipate himself from a temporal allegiance in favor of the only allegiance he truly ackowledges. Literature is the history of human as the history of human is that of human consciousness. The stream of modern Korean poetry is usually discontinuous. Various structures and paradigms are too divergent to represent a convergent spirit of one age. The varieties of paradigms fulfils its ordained ends as a symbol of aesthetic and spiritual order transcending or subsuming historical experience. The social misery and political unrest limits the imaginative scope of our criticism of we interpret the tendencies solely in historical and sociological terms. In spite of superficial homogeneity poetic sensitivity that props up poetry is usually heterogeneous. Poetry is written by individuals, not movements, and the quality of a poet's work depends, not on conformity to an accepted idiom, but on the authenticity and significance of his experience and his power to give it original and durable experience and his power to give it original and durable expression. Much good, unexciting, craftsman like writing is being done, without any compelling sense of direction of any strong impulse to experiment. I come to the conclusion that poetic sensitivity in a certain age. Accordingly the appropriate recogntion of poeticstructure which stands for poetic totality is very significant in the course of examining modern poetry.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

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  2. [국내논문]   지용시의 변형 시어와 묘사  

    민병기
    한국시학연구 = Korean poetics studies 2002 no.6 = no.6 ,pp. 33 - 53 , 2002 , 1229-1943 ,

    초록

    Ji-yong is a strong characteristic poet. His character is reflected in the poetic diction and the descriptive transformation. His command of transformative words is divided into simplicity transformation and contraction one. Simplicity transformation is the vowel changes in the standard idioms. The representative one is the mixture of neutral vowels, that is, the replacement of 'ㅡ' for 'ㅣ'. Also, there are many cases that changed 'ㅓ' into 'ㅏ'. The contraction transformation is that some sounds omit and changeat the same time. In the process of poetic diction transformation, vowels tend to have sunny(positive) dispositions. Some of simplicity transformative words are coincided with Chungcheung dialects. The contraction transformation has the coined-word character and, therefore, the meaning analogy is more troublesome than simplicity transformation. “haesulpi(해설피)” is the representative example. To understand his poems correctly, the comprehension of these transformative characters should be preceded. He is the magician of language transformation that revealed excellent senses and strong characters in his command of poetic diction. He selects and polishes poetical words more elaborately than any other poets. He used non-standard language (which is not used in ordinary life, transformative words, dialects, archaic words) widely as characteristic poetic diction. Especially, he transformed words uniquely and developed them into his poetical words. With unique transformative words, he enlivened his poems. Without giving unfamiliar feeling, these gives more fresh and good flavors than familiar words to the tips of the modern people's tongues. Thus, people have estimated him as the poet who had the excellent talents of polishing words. He strictly prevented his emotions from exposing to the poems. To do this, he hid the narrator thoroughly behind the object description. He wrote the poems which focused on describing the object rather than expressing himself. Especially, he did good job for the transformative description. The capability of transformative description that changes presence images into absence ones was particularly prominent. Since he commanded this technique into modern poems for the first time, we can feel his character is strong. He sticked to two unique types of poems. One is a short poetic type, the couplet form. This is based on our traditional form, the Korean Si-jo. The other is a unique prose-type. He sticked to the two frames that opposed each other. In later years of his poem writings, he persisted these two types. From his stubborn persistency of poem-types, we can feel his character. Thus we can conclude that his poetic characters are the intensive characterization of his poetic dictions, techniques, and forms.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

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  3. [국내논문]   김소월의 「팔벼개노래調」 본문 고찰  

    朴仁基
    한국시학연구 = Korean poetics studies 2002 no.6 = no.6 ,pp. 55 - 79 , 2002 , 1229-1943 ,

    초록

    “PalByeoGaeNoRaeJo”(Song of Pillowing on Your Arm) is the poem of Kim SoWol. It was presented by the literary magazine GaMyeon(The Mask) no. 3, published in 1926. But the magazine is not become known till lately. This paper aimed, firstly, to present the original text. Then I reviewed the original text to fix the correct version. The review was related to the background explanation that is added to the original text. “PalByeoGaeNoRaeJo” is an idiolect, because it was separated from the established ballad style, so drawing on the individual rhythm. In short, the poem “PalByeoGaeNoRaeJo” is shown an aspect of the modern Korean poetic style, 'JaYuSi'(free verse), that was making in the early 1920s.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  4. [국내논문]   지역시의 발견과 연구 - 경남ㆍ부산지역의 경험을 중심으로  

    박태일
    한국시학연구 = Korean poetics studies 2002 no.6 = no.6 ,pp. 81 - 101 , 2002 , 1229-1943 ,

    초록

    Local literature is territorial literature, which is created by people who has familiar experiences and topophilia about the area. Also, it should be not only practical to the territorial community but also counteractive against past customs of literature studies and renovative to habitual practice on literature communication. Studies on local poems as a subfield of local literature is just the beginning. It means its potential possibility to be developed. When case studies on each local area and individual discussions are enough, it would be possible to have comparisons among each area, national case studies, and comprehensive history of local poems. The dilemmatical situation, derived from being the people of a country and a resident of the specific livelihood, gives problems to several processes in recognition, decision and performance. Studies on local poems are the valuable field on which scholastic and social needs meet each other. Studies on poetries might be fruitful by local-centrepetalism for discovery, enjoyment, practice, and creation of local values.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  5. [국내논문]   근대성과 자연합일의 시  

    엄경희
    한국시학연구 = Korean poetics studies 2002 no.6 = no.6 ,pp. 103 - 131 , 2002 , 1229-1943 ,

    초록

    This Study has tried to illuminate a pattern of the poems united with nature affected in the modern paradigm with a rapid collapse of traditional world, and to lighten a view of the world exposed in the pattern of them. The chapter of 'the Loss of an Origin-Home and the Yearning for There' in this main discourse has analyzed the poems about the loss of home in the modern world on assumption that an intention of unity with nature has been posited in our 'home-idea.' The problem of the loss of home has been able to be a modern phenomenon it rarely have been found in traditional poems about nature. The loss of home in the modern Korea has been caused by the rule of Japanese imperialism from which had exploited all of her people and land, by the division of her territory in where had been affected conflicts of interests of the western or pre-industrialized powers, and by the industrialization and urbanization in which had been rapidly and forcedly progressed. These violent reforms have issued problems of departure and wandering from home, dispersion and loss of home, and rural exodus. These tragic stories have been filled with Seok Back's poems for which have spoken the loss of home under the rule of Japanese imperialism, Bong Gun Jeon and Yoon Sook Hong's poems in which have incorporated experiences of the division of nation and the loss of home, and Jai Goo Guak and Yong Tack Kim's poems about which have expressed the rural exodus and grieves of the losers of home under the wave of the industralization and urbanization. The 'home-idea' exposed in these poems is to be characterized by the same point it has been placed in a kinship relation with nature, and simultaneously, by the what a longing for return of there have been connoted in it. It is thus to be considered that the consciousness of unity with nature and of yearning for the Eden has been lodged in this poetic home. And, in the modern paradigm, the home is also to be characterized by what it has been geared into the 'loss.'. The chapter of 'the Contemplative Eyes and the Aesthetic Senses about Nature' has focused on the poems of Ji Yong Jeong, Mock Worl Park, Ji Hoon Jo, and Yong Le Park who have made the nature aesthetic objects, and have tried to expose what this contemplative nature has connoted in itself. The nature as an solitary and silent space excluding human daily life and realities has predominantly risen from the poems of Ji Yong Jeong, Mock Worl Park, Ji Hoon Jo, which is to be interpreted as an expression of the poets' longings for disconnection from the revolting realities of life. There is only an unity of the contemplative self between the nature it has had its own beauty in itself. This is to be a nature as a space of comfort when it is impossible to discover an aesthetic style of life from the realities and history. In a different way from them, the human life and nature has appeared as harmonized or united one 'landscape' in Yong Le Park's poems about contemplated nature. His poems united with nature are to be identified as antimodern and anti-urban created from antipathy against civilizations and cities. All of the poems united with nature in the modern paradigm have been created from a distorted structure of history and a dearth it has been made by that structure. The violent reforms that had been brought about the rule of Japanese imperialism, the Korean war, and the industralization and urbanization have led to make the poets yearn for the nature as a space of the beauty, of the nostalgia, of the Eden. Consequently it is to be concluded that the longing for the unity with nature has been generated in the poets' psyche to overcome the fundamental dearth of the people in modern times.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  6. [국내논문]   이상화의 「나의 침실로」, 「빼앗긴 들에도 봄은 오는가」 해석의 제문제  

    이기철
    한국시학연구 = Korean poetics studies 2002 no.6 = no.6 ,pp. 133 - 152 , 2002 , 1229-1943 ,

    초록

    the problem of interpretation of Lee sangwhoa poems “to my bedroom” “what spring comes wrenched a field” is extrinsic approach and intrinsic approach, two method. 1. method of extrinsic approach 1) selected korean poems 1920th and other poem book is the great part is defective on 'textual decision' 2) second problem is which year published “to my bed room” is 1918 or 1923? belong to my opinion , the work is writing 1918. 3) the third problem is too detective on textual decision of “what spring come wrenched a field”. and an omission of sixth stanza 2. method of Intrinsic approach 1) the problem of interpretation of important thesis of “to my bed room”, for example, “mokguji” “pearls of inherited with eyes” “bed room” “bed room is a cave of rebirth” etc. 2) the problem about “what spring come wrenched a field” write leaving spaces between words and punctuation marks etc. 3) but whole interpretation or critic of value is surpass work of 1920th korean resistance poems.

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    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  7. [국내논문]   정지용의 山水詩 考察 - 「九城洞」ㆍ「비」의 해석: '隱逸'의 의미를 중심으로  

    이상오
    한국시학연구 = Korean poetics studies 2002 no.6 = no.6 ,pp. 153 - 174 , 2002 , 1229-1943 ,

    초록

    This paper studies the features of “seclusion”(隱逸) and analyzes the poems, 「Gusungdong」 and 「Rain」, in order to discover the essence of these Nature Poems (Sansusi). It is often pointed out that the discovery of the “essence” of these poems was the peak in the later poetry world of Jeong Ji-yong. Under the common Eastern cultural tradition, “seclusion” cannot simply be interpreted as a reclusive life or a negative escape into the nature. It was established that it meant an imaginary space of active transcendence of the mind and the existence of the subject in his poem 「Gusungdong」. We may say that such transcendental imagination may have originated from the sense of impending crisis of the times. However, Jeong Ji-yong could not transcend the limitations of his mind even with a combination of spiritual and artistic training that is the Eastern-cultural trend. Consequently, Jeong Ji-yong approaches the poetics of Eastern imagination that is based on harmony with nature. He accomplished this by reviving his early sense of the language through a series of poems such as 「Rain」. However, as we can see from「Rain」 and 「Breakfast」 that his work does leave some room for a negative evaluation in that he did not reach the ultimate limits of the universe of Eastern natural speculation that penetrates into the “essence of the form.” Rather, as one of the literary men of the times, he describes poetically the defeated self-consciousness. The poetical investigation of Jeong Ji-yong and his times, as we pointed out in the main text, embodies a summit of Modern Korean Poetry, which has been on the border of pre-modern poetry and a modernity that falls within the cultural code of Eastern tradition. However, the suppression in those times restrained his activities and hindered him from reaching a higher plateau. In other words, his orientation in poetry, which was rooted in Eastern Art theory, did not have the opportunity to escalate and take the desired form.

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    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  8. [국내논문]   김현승 시에 나타난 '고독'의 역설성 연구  

    임현순
    한국시학연구 = Korean poetics studies 2002 no.6 = no.6 ,pp. 175 - 198 , 2002 , 1229-1943 ,

    초록

    This thesis is to examine the paradox of 'Solitude' in Kim, hyun seung's Poetry. The existing studies has treated the 'Solitude' of Kim, hyun seung's poetry as the reflection of a doubt on his faith. Compared with a biographical fact, those viewpoint are generally right. But there's a possibility to interpretate his 'solitude' in another way, on a depth meaning. And the end of this thesis is to examine that meaning, which can be called “paradox.” In Chapter2, we can find the new figure of the subject. It is differed from traditional subject, which means the modern subject. The 'solitude' of Kim, hyun seung's Poetry has a relation with the independence, to associate with others. In Chapter3, there comes the image of an 'end' in Kim, hyun seung's Poetry. So there comes a difference between 'knowing' and 'doing', 'the eternity' and 'the present'. And in this chapter, we can find that the act to make a space among others means a preparation for a community in Jesus. In Chapter4, we can see Kim, hyun seung's time recognition through the deviation of tense. In his poetry, the time of 'solitude' appeared as a present time. And it is represented by the season, 'Fall.' Generally 'Fall' is the time of extinction, but on the other hand it is the time of creation. Such paradoxical character―And this is God's character, also― brings man a tragic moment, which means a despair. This is the very 'solitude.' After all we can find that the 'solitude' in Kim, hyun seung's poetry is not a settlement to the inside which means self-isolation, but a preparation to the realization of God's will, making a community on the earth.

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    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  9. [국내논문]   김소월 시에 나타난 화자의 성별과 성격  

    정효구
    한국시학연구 = Korean poetics studies 2002 no.6 = no.6 ,pp. 199 - 231 , 2002 , 1229-1943 ,

    초록

    This thesis proposes to elucidate the sex and properties of personae in Kim So-Wol's 'love poetry'. 1) By this research, I found that the personae in Kim So-Wol's love poetry are generally the male. This conclusion was made by the investigating of the literal text. I think that this conclusion is different from that of many other scholars. And I conclude that the personae in Kim So-Wol's love poetry are either the male or the female from the perspective of 'reception theory'. 2) By this research, I showed that the personae are classified into four types based on the properties of personae. The four types are sentimental, erotic, purehearted and playing. Especially, I am interested in erotic personae. Because this erotic type has been disregarded by many people until now. But this type is very important in studying the world of Kim So-Wol's love poetry. Through this act of classifying, I confirm that the character of the personae in Kim So-Wol's love poetry is very clear and distinct.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  10. [국내논문]   1910년대 문학론의 미적인 삶의 전략과 상징  

    채상우
    한국시학연구 = Korean poetics studies 2002 no.6 = no.6 ,pp. 233 - 256 , 2002 , 1229-1943 ,

    초록

    The purpose of this study is to reconstruct worth and significance of the 'Youngyul(영률[靈律])', 'Youngo(영어[靈語])' and symbol(ism) which was insisted by Kim Uk and Hwang Suk-Woo. For the benefit of this study, I would examine peculiar thinking way in the 1910's searched through the discussions and theory of literature, poetry had been printed in HakJiKwang(『학지광[學之光]』). The HakJiKwang, a magazine had been published by Korean student in Japan in 1914. According to this magazine, the self isn't formed by being subjected and adapting oneself to general order of outside world. Consequently, we recognize it as a firm truth of inner world and its attainment as ultimate object to us. But, Thinking of self-realization as common principle, we come to conclusion that human society is calm world governed by the logic of the struggle of existence. Therefore, the human society and individual subject need a sympathy, consolation, love and compassion. Human society is a model of explanation which is constituted by individual subject who make final purpose to self-realization. This is a kind of fiction. We should notice that the human society was recognized as anonymous group not consistent with object of individual subject in those days. That is, the self of 1910's is an existence that separated from actual world. Also, one of the important fact is an assertion that the self is the origin of one's nature, thought and character and that self-finding is finding process oneself and that actual life is followed by such principle. This connotes an assertion which the self can reorganize and create an actual world. Like this, the sincere belief for self make a discourse which was followed by self. It is believed that a creation of new world could exist in one's inner-world. In this means, it is a basic sentence pattern of romantical self that there is a separation and creation or cutting and extension from outside world. In particular, Kim Uk's writing is a typical model of grammar of romantical self. He is said that life is the state of lack but art has a power which can make such life perfect state. His logic is based on the concept of self which was appeared in the mid-1910's. Namely, we believed that it is possible to create new world through inner world. It is a aesthetic thinking-way. This strategy is made by contrast between dark, damp image and cool, arid one. The word, revival represents such a poetic logic. It is a necessary process when the symbolism is to meet a desire for aesthetic life in the history of Korea modern literature. As we know, Kim Uk and Hwang Suk-Woo had advocated the 'Youngyul', 'Youngo'. This terms mean that a poet is sublime existence who could hear a whisper of the God. However, it is interesting fact that the God is the self. Therefore, now, a poet is the only existence who could hear and speak a voice of one's inside. To be sure, this belief has a possibility to end as political monologue. In other words, it is possible to be criticized that we can obtain general sense through an aesthetics of self. In this sense, it is the problem of aesthetic ideology that we continually have studied and questioned in history of Korea modern literature. It is an effect of imaginary reality(literary reality) recreated by romantical self.

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