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H : 소장처정보

T : 목차정보

한국시학연구 = Korean poetics studies 12건

  1. [국내논문]   전환기 한국 현대시의 시 세계  

    윤여탁
    한국시학연구 = Korean poetics studies 2009 no.25 = no.25 ,pp. 7 - 28 , 2009 , 1229-1943 ,

    초록

    This study focused on aspects of development of Korean modern poetry, from the liberation of Korea in 1945 to the 1950s, and its world. during this period, Korean modern poetry illustrated various poetic seeks and glimpses. These researches became a foundation of Korean modern poetry's literary growth. Above all, the literary conflict between the left and right was appeared immediately after the liberation of Korea, and this conflict developed itself as 'ideological realization in literature'. Additionally, Korean modern poetry's a wide variety of attempts after Korean War were sufficient to prepare subsequent growth and revival of Korean modern poetry. Specifically, a variety of poetry - realism poem, lyric poem, modernism poem and poem about war - was created and developed into later Korean modern poetry. Various creation of modern poetry on this period was able to be a solid ground of reconsideration about a current tendency of modern poetry's research and education which is mainly focused on the modern poetry centered on 1930s and contemporary poetry centered on 1960. Through this study, this period's creation of modern poetry had not only enough affluence to exceed poetical and literary realization produced before and after this period, but also enough capacity to be a role of bridge between these two before and after periods. Therefore, this aspect should be accepted into the study and education of modern poetry, and this new point of angle is another reason why this period's poetical accomplishment have to be reconsidered.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  2. [국내논문]   해방기 시문학과 민족 담론의 재배치  

    오문석
    한국시학연구 = Korean poetics studies 2009 no.25 = no.25 ,pp. 29 - 49 , 2009 , 1229-1943 ,

    초록

    The period of Independence is a transitional period connecting the colonial era and the era of Division. The first and foremost agenda of this period, therefore, was to put an end to Japanese colonial rule and to perfect the national Independence. Left-wing politicians took the hegemony by leading the atmosphere of self-criticism for pro-Japanese activities. However, when Rhee Seung-Man, the pro-American politician, seized power, it put a stormy halt to the left-wing elit"s post-colonial project of the perfection of Independence through the elimination of pro-Japanese groups. The pro-American parties tied to ignore people"s call for the liquidation of colonial past, while proposing "anti-communism" as a new national ideology in accordance with the U.S."s anti-communist policy. Rhee"s turning to anti-communism resulted in not only perpetuating the division of Korea, but also completing the internal logic of the Korean right wing, which is pro-Japan, pro-America, and anti-communism. This process is repeated in an exactly same way in Korean poetic history. Immediately after the Indepedence, left-wing literary people took the hegemony by creating a discursive framework of nation/anti-nation. This tendency was reinforced by a number of poet"s self-criticism and many returned student-soldiers" testimonies. Korean people, however, came to awaken into the imperialistic desire of the US through the decision of putting Korea under UN trusteeship and the following political events such as Student-Soldiers" Alliance. This awakening changed the mainstream national discourse from nationalism/anti-nationalism to nationalism/imperialism. In the meantime, the right-wing writers, who were supported from the US government, began to develop a new logic of the national literature, that is, a triangular logic of "purity," "tradition," and "nation"--a logic that actually originated in Munjang, a literary journal in the late colonial era. The problem is that this logic is indeed predicated on the Japanese imperial discourse of New East Asian Order or the Greater East Asia Co-Prosperity Sphere whose basic principle was the confrontation between East and West

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  3. [국내논문]   전후 모더니즘 시의 음악성과 시의식 - 『전쟁과 음악과 희망과』를 중심으로  

    오형엽
    한국시학연구 = Korean poetics studies 2009 no.25 = no.25 ,pp. 51 - 77 , 2009 , 1229-1943 ,

    초록

    This writing observed musical property and poetic conscious to investigate esthetics of postwar modernism poetry. Analytical target is mainly Kim, Jong-Sam, Kim, Gwang-Rim, Jeon, Bong-Geon"s anthology War and Music and Hope and. This writing compares musical property of three poets, and investigated engagement and interrelationship of poetic conscious that it has. Music is sound of confidentially like background music inside pictorial scenery in Kim, Jong-Sam"s poetry. Kim, Jong-Sam materializes poetically God"s grace who drop off "water" and "shade" in actuality of ground through "vague music" like this. Kim, Jong-Sam believes "existence of God" and experience his being, but he is a messenger that deliver "water" and "shade" and "music" coming in heaven like grace to humans in actuality of ground that "absence of God". Music is presented of the most important value of human who fill original life of nature in Kim, Gwang-Rim"s poetry. "A song" that is "music" appears in "conceptional language" that embody meaning rather than act by poetic configuration technique that rescue effect of rhythm in Kim, Gwang-Rim"s poetry. He regard the horrible scenes of war and actuality of ruins as "loss of God" that symbolizes absolute value. Music is "a vital music" that human and nature and universe are calculated getting from experience principle of having fluidity and circularity commonly in Jeon, Bong-Geon"s poetry. 4 metrical rule embody circulatory musical rhythmic movement, and rule of repeated demonstrative pronoun or word or composition gets similar effect. Double inversion commission and dexterous line of verse deliver truthfulness to life in rhythm, and repeat of word enhances tense feeling and forms full of strength by imminent breath. We can think that Biblical motif in Jeon, Bong-Geon"s poetry is included to a part of a kind of "pantheistic thought" that human and nature and universe are one life community.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  4. [국내논문]   북한 시문학의 형상화 동인(動因) - 해방기와 전쟁 전후를 중심으로  

    우대식
    한국시학연구 = Korean poetics studies 2009 no.25 = no.25 ,pp. 79 - 105 , 2009 , 1229-1943 ,

    초록

    This treatise has dealt with what North Korean poetry portrayed from liberation to prewar and postwar periods. In effect, the three periods are so short that they partly overlapped and difficult to exactly divide. It stands to reason, however, that rapid social changes made during the periods exerted influence on North Korean poetry. Shortly after liberation North Korea was obsessed with the new, about which it had a complex. Its practical strong will to construct a people"s republic, along with its consciousness of South Korea as a counterpart, may have given a shamanic belief in the new to the chief executives of North Korea. Such consciousness enabled poetry to march into the public, which was regarded as part of an effort to establish a country. When the division of the Korean Peninsula began to be institutionalized after the unstable early period of liberation, the task of poetry was to reflect the achievement of what was called democratic reformation in line with a new economic project and its fulfillment. Yet, the short period couldn"t make it possible to see visible industrial achievements. As a result, the revolutionary romanticism of contemporary literature of North Korea came to hold fast to an optimistic view for the future. All the other poetry running counter to it was decried as formalism. This point is where North Korean Poetry made a new start. For this period showed that no poetry based upon individualism was allowed in any way. The 1950 War served as a momentum for the narration of a hero. Making a hero of Kim Il Seong had already been in steady motion. In poetry heroes of the fields of agriculture and industry had also been portrayed. The wartime Parnassus of North Korea was engrossed in portraying heroes with a keen patriotism even in extreme situations. This forced poets to ponder upon their identity in agony. It can be said that they themselves shaped their identity in accordance with that of North Korean community.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  5. [국내논문]   1930년대 후반 시의 도시표상 연구 - 오장환, 김광균, 박팔양을 중심으로  

    고봉준 , 이선이
    한국시학연구 = Korean poetics studies 2009 no.25 = no.25 ,pp. 109 - 138 , 2009 , 1229-1943 ,

    초록

    During the 1930s, literature could not be separated from "city" for its understanding. The issue remains controversial whether to interpret the "urban context" as colonial capitalism or a general sphere of modernity. During the time, Japan vigorously implemented urban renewal projects in Chosun, and the spatial transformation with advancement brought about changes in people"s sensibilities. This research examines how poem written during the 1930s represented "city" in a literary context, centered on poem of Oh Jang-hwan, Kim Gwang-gyun and Park Pal-yang. In Oh Jang-hwan"s poem, a "harbor" and a "city" is featured as negative space of modernity. His early-period poem brim over with grief, gloom, tiring journey and sense of loss. Here a "harbor" is contrasted to the conventional world view, and exudes thick pathos. To the poet, a "harbor" implies a fate of human beings for loss and wandering, as well as symbolic space for the reality of colonization. In Oh Jang-hwan"s poem, a "city" works as miniature world that contains tragedy of colonial living. That a "city" is perceived as negative space of degradation and decay manifests the poet"s world view toward modernism and city as a symbol of modern capitalism. In Kim Gwang-gyun"s poem during the 1930s, a "city" is a realm of civilization, and also a venue of solitude, nostalgia, gloom and grief. The negative representation mostly comes from tension and conflict between lost childhood and the present, between a city and old-fashioned agricultural villages, rather than from innate attributes of a city. Presumably the poet used modern vocabulary over traditional one to verbalize sense of aimlessness in a city. The consequent description is not so much about an urban landscape as a projection of internalized perception. To Park Pal-yang, a "city" is a place of dual nature: civilization and grief. In his poem, instead of brilliance and brightness of daytime, a "city" is perceived as a place of gloom, grief, desolateness and sorrow at time of "twilight" and "night." The poet portraits a "city" through scene on "streets," a place for anonymous mass public in a modern city. In addition to department stores, illumination lined along the street, coffee houses, promenade and skyscrapers become important venue of urban experience. Park Pal-yang manages to detect presence of veiled mass public passing on the street, but the observation stays on the level of landscape and pointillistic description, rather than a matter of social classes.

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    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  6. [국내논문]   김수영과 김지하 시의 탈식민주의 전략 비교 연구  

    고현철
    한국시학연구 = Korean poetics studies 2009 no.25 = no.25 ,pp. 139 - 166 , 2009 , 1229-1943 ,

    초록

    This thesis aims to develop the comparative study on the postcolonial strategies in the Kim Su-Young's and Kim Ji-Ha's poems. The results of the investigation are summarized as the following: First, this thesis investigates differences between Kim Su-Young' poems and Kim Ji-Ha's poems on cultural strategies of postcolonialism. Second, it investigates that Kim Su-Young' poems aim to discriminate themselves against the culture of Western imperialism and colonialism through 'appropriation' among cultural strategies of postcolonialism. Third, it investigates that Kim Ji-Ha's poems aim to discriminate themselves against the culture of Japanese imperialism and colonialism through 'decolonization' among cultural strategies of postcolonialism. Fourth, the paper also argues that the 'appropriation' among cultural strategies of postcolonialism is based on 'cultural hybridity' be connected with disidentification discourse. Fifth, the paper also argues that 'decolonization' among cultural strategies of postcolonialism is based on 'genre-parody' be connected with counter-identification discourse. Finally, it is clamed that Pansori-poem(판소리시) is a peculiar literature genre through a combination of modern poetry and Pansori(판소리) among Korean modern literature.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  7. [국내논문]   김동환의 가요운동과 유성기음반 취입  

    구인모
    한국시학연구 = Korean poetics studies 2009 no.25 = no.25 ,pp. 167 - 194 , 2009 , 1229-1943 ,

    초록

    After 1930"s Kim, Dong-hwan recorded his seven "Sokyo" in Sp-records. As he experimented on various form of "le vers libre", in the strict sense these are not modern poetry. Nevertheless, the reason he wrote such works, is his" own idea of "Gayo"(popular song) movement. When Kim was a member of KAPF(Korea Artista Proletaria Federatio), he had a detailed plan for combination of poetry and music, moreover it"s popularization. And he willing to realize his idea, after seceded from KAPF and join Chosun Popular song Association, Kim gained an opportunity to realize his idea. The three piece of Sp-records that recorded Kim"s works is realization of his idea. But the song composed by his works were empty of literary completion, as well as rigidly inspected by the government general of Chosun. Moreover those were nearly "lied" then popular song. So those were not coincides with contemporary taste of popular song. after all Kim were changed from record maker to another, and his idea of "Gayo" movement was end in failure. By the way Kim"s such idea was realized by korean classical composers in "lied" till 1990"s. Such Kim"s works and idea are an example that very dynamic sphere of modern korean poetry connected with musical form, existed by modern sound media.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  8. [국내논문]   김구용 시 연구 - 1950년대 시를 중심으로  

    김양희
    한국시학연구 = Korean poetics studies 2009 no.25 = no.25 ,pp. 195 - 226 , 2009 , 1229-1943 ,

    초록

    This thesis is Kim Guyong"s Poetry in 1950. Kim Guyong"s work shows complex motif not only theme bases on 1950"s Korean society like as war, prostitution, starvation but also existential problem like imprisonment division of subject. Accordingly, Kim Guyong"s Poetry can"t estimate division into two parts called "Modernism and Realism" This discussion can be divided three parts. First, his works in 1950 are prose poem. His prose poem characterize fragmentary description. On his prose poem, a dead thing or emotion put a subject of sentence. This trait means that the subject like human being in his poem can"t control world. The other is superior being which dominates and forms the subject. Second, in poem subject is skeptical about identity. Especially, mirror image and shadow image symbolize duplicity of self and deconstruction of self. This poem shows that self don"t exist fixed substance. Third, A prose which is composed fantastic narrative represent aesthetic modernity supremely. These poem are expressed intermixture between poem and narrative.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  9. [국내논문]   오장환 시의 부정의식 연구 - 초기시를 중심으로  

    이현승
    한국시학연구 = Korean poetics studies 2009 no.25 = no.25 ,pp. 227 - 248 , 2009 , 1229-1943 ,

    초록

    This paper was designed to explain the denial consciousness in the early period of Oh Jang-hwan"s poetry. Oh Jang-hwan has indicated his refusal idea on conventionalism and a modern society. And also he has shown an aversion of a whole traditional aesthetics. Until now, the studies of Oh Jang-hwan"s poetry has taken the idea of denial as a part of whole poetic process partially. This point of view brings a simplification and schematization of interpretation. But this paper doesn"t agree to that points. And then, A clarifying the Oh"s idea of denial about a negative realities in his early poetry would make clear his traits of resistant as a modern subject. Oh Jang-hwan"s consciousness of denial is just an intense struggle to have a recognition of reality. His poetry reveals negative realities and resistant will, and then this paper try to show up this points.

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    회원님의 원문열람 권한에 따라 열람이 불가능 할 수 있으며 권한이 없는 경우 해당 사이트의 정책에 따라 회원가입 및 유료구매가 필요할 수 있습니다.이동하는 사이트에서의 모든 정보이용은 NDSL과 무관합니다.

    NDSL에서는 해당 원문을 복사서비스하고 있습니다. 아래의 원문복사신청 또는 장바구니담기를 통하여 원문복사서비스 이용이 가능합니다.

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  10. [국내논문]   백석 시와의 연관성을 통해 본 오장환의 초기시 - 인간을 위한 문학의 옹호와 선택적 부정의 양상  

    장만호
    한국시학연구 = Korean poetics studies 2009 no.25 = no.25 ,pp. 249 - 278 , 2009 , 1229-1943 ,

    초록

    This paper aims at finding a relationship between Oh Jang-hwan"s poetry and Baek Seok"s poetry, clarifying Oh Jang-hwan poetry"s thematic consciousness, and characterizing the inner logic of Oh Jang-hwan"s early poetry. This kind of work helps finding out the logical reasons for the complex aspects of Oh Jang-hwan"s early poetry. A desirable poem for Oh Jang-hwan is the one that reveals a poet"s emotion, opinions, and visions. The "sentimentalism" for him is the emotion that a true person has to feel when he confronts with the real life and the natural effect of the contents over the forms. On the one hand, Oh Jang-hwan"s criticism for Baek, Seok is caused by this kind of reason. On the other hand, Oh tries to find Baek Seok poetry"s good points, the characteristics of returning family and hometown and refinding a value of the present reality and the future directionality. The thematic tendency of Oh Jang-hwan"s early poetry is perceiving the past with the present perspective and narrating the past with the vision for future. This kind of tendency is embodied in 〈Jongga [the head family]〉. However, Oh Jang-hwan does not reveal his commentary and critical attitude in the poems depicting the low class whom he empathizes or feels sympathy. This kind of tendency proves that Oh Jang-hwan"s critical voice is not his own voice but an intentional one resulted by his poetic theory. The reason why he shows a critical attitude in his many poems in spite of this tendency is that he thinks criticizing the old customs, the false consciousness and the deceptive attitude of the Yangban [the upper class], human alineation of the capitalistic society, and the small businessmen is more important than sympathizing with the lower class. This kind of attitude tells that Oh Jang-hwan does not deny all aspects of the contemporary reality and tradition but negate them selectively differentiating between the objects of negation and the objects of empathy. The reason why the critical poems are more visible than the empathizing poems is that the object of denial is the structure of reality itself.

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